clay temperer Interview Questions and Answers

Clay Temperer Interview Questions and Answers
  1. What is your experience working with various types of clay?

    • Answer: I have extensive experience working with a wide range of clays, including earthenware, stoneware, porcelain, and terracotta. I'm familiar with their unique properties and understand how different tempering techniques affect their workability and final fired results. I've worked with clays sourced both locally and internationally, adapting my tempering techniques to accommodate variations in their plasticity and particle size.
  2. Describe your knowledge of different tempering materials.

    • Answer: My understanding of tempering materials encompasses a variety of options, including grog (ground-up fired clay), sand, chamotte (calcined clay), sawdust, and various organic materials. I understand the impact each has on the clay body's shrinkage, strength, porosity, and texture. I can select the appropriate temper based on the clay type, intended application, and desired final product characteristics.
  3. How do you determine the appropriate amount of temper to add to a clay body?

    • Answer: The optimal temper percentage is determined through a combination of factors, including the clay's plasticity, desired strength, shrinkage rate, and the properties of the chosen temper. I typically conduct test batches with varying temper percentages to assess the resulting workability and firing behaviour. Laboratory testing, including shrinkage measurements and strength testing, also informs my decision-making process.
  4. Explain your process for preparing temper materials.

    • Answer: Preparation varies depending on the temper. Grog typically requires grinding to a consistent particle size, often using a hammer mill or similar equipment. Sand needs to be sieved to remove larger particles and ensure a uniform distribution. Organic tempers might require drying and sieving before mixing. I always aim for consistent particle size distribution to optimize the temper’s impact on the clay body.
  5. How do you ensure even mixing of the clay and temper?

    • Answer: Thorough mixing is crucial. I typically use a combination of techniques, including hand mixing for smaller batches and a pugmill or similar mechanical mixer for larger volumes. I pay close attention to eliminating any clumping and ensure a homogenous distribution of the temper throughout the clay body. Multiple passes through the mixer are frequently necessary for a superior result.
  6. What are the potential problems associated with improper tempering?

    • Answer: Improper tempering can lead to numerous issues, including uneven shrinkage, cracking during drying or firing, reduced strength, increased porosity, and difficulty in shaping. The wrong temper or an incorrect percentage can significantly compromise the final product's quality and durability.
  7. How do you monitor the quality of the tempered clay?

    • Answer: I monitor the quality through regular visual inspections for consistency in colour and texture, as well as conducting plasticity tests to assess its workability. Shrinkage testing before and after firing is also crucial to ensure the tempered clay meets the required specifications. I also document each batch’s formulation and testing results.
  8. What safety precautions do you take when handling temper materials?

    • Answer: Safety is paramount. When handling materials like sand or grog, I wear appropriate respiratory protection to avoid inhaling dust particles. Eye protection is also crucial to prevent injuries from flying debris during grinding or mixing. Proper handling procedures ensure both personal and environmental safety.
  9. Describe your experience with different types of clay mixers.

    • Answer: I'm proficient with various clay mixers, including hand-mixing techniques, pugmills, and some experience with larger industrial mixers. I understand the capabilities and limitations of each type and can select the appropriate equipment based on the batch size and the desired level of mixing uniformity.

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