bass viol repairer Interview Questions and Answers

1. What inspired you to become a bass viol repairer?

   • Answer: My passion for music, specifically string instruments, coupled with a fascination for the intricate craftsmanship involved in their repair and maintenance, led me to this career path. I enjoy the challenge of restoring these beautiful instruments to their former glory.

2. What types of bass viols are you most experienced in repairing?

   • Answer: I have extensive experience working on various types of bass viols, including Baroque, Renaissance, and modern interpretations. I'm comfortable with different woods, construction techniques, and periods of instrument making.

3. Describe your experience with wood repair and restoration.

   • Answer: I'm proficient in various wood repair techniques, from crack repair using hide glue and various wood fillers to addressing issues like warping and splitting. I understand the importance of choosing appropriate wood species for replacements and matching existing finishes.

4. How do you approach diagnosing problems in a bass viol?

   • Answer: I begin with a thorough visual inspection, noting any cracks, damage, or loose parts. Then, I carefully assess the instrument's playability, checking for buzzing, intonation issues, and overall sound quality. This helps pinpoint the source of the problem for targeted repair.

5. What tools and equipment are essential for your work?

   • Answer: My essential tools include various chisels, gouges, planes, clamps, hide glue, wood fillers, various sanding tools, specialized clamps for bending wood, and a selection of fine-tuning tools for bridge and soundpost adjustments.

6. Explain your process for repairing a cracked top on a bass viol.

   • Answer: I carefully clean the crack, then apply hide glue to both sides. I use clamps to hold the crack together while the glue dries. Once dry, I may need to fill the crack using a carefully matched wood filler and then smooth and finish to match the existing surface.

7. How do you handle repairs that require specialized knowledge of historical techniques?

   • Answer: I approach historical repairs by researching the specific period and construction methods of the instrument. I consult books, articles, and experts in historical instrument making to ensure that my repairs are historically appropriate and preserve the instrument's integrity.

8. What is your experience with bridge fitting and adjustment?

   • Answer: Bridge fitting is a crucial aspect of my work. I understand the relationship between bridge height, feet placement, and sound quality. I use specialized tools to ensure proper bridge placement for optimal intonation and tone.

9. How do you maintain the integrity of an antique bass viol during repairs?

   • Answer: I prioritize minimal intervention when repairing antique viols. I use reversible techniques whenever possible and strive to maintain the instrument's original character and patina.

10. Describe your approach to finish restoration.

    • Answer: I carefully assess the existing finish, deciding whether to clean it, retouch it minimally, or apply a new finish depending on the instrument's condition. I always strive for a finish that matches the original as closely as possible.

11. How do you handle repairs involving the soundpost?

    • Answer: Soundpost adjustments require precision. I use specialized tools to carefully install, adjust, or replace the soundpost, ensuring it's properly positioned for optimal sound and structural integrity.

12. What is your experience with peg fitting and repair?

    • Answer: I'm experienced in fitting and repairing pegs, addressing issues such as slipping pegs, broken pegs, and peg holes that are too large. I understand the importance of selecting appropriately sized and shaped pegs for the instrument.

13. How do you stay updated on the latest techniques and technologies in bass viol repair?

    • Answer: I actively participate in professional organizations, attend workshops and seminars, and read relevant publications to stay current on the latest advancements in the field.

14. Describe a challenging repair you've successfully completed.

    • Answer: [Insert a detailed description of a challenging repair, emphasizing the problem, your approach, and the successful outcome. Be specific about the techniques used.]

15. How do you handle customer communication and expectations?

    • Answer: I prioritize clear and open communication. I discuss repair options, timelines, and costs upfront, ensuring the client understands the process. I provide regular updates throughout the repair process.

16. What is your pricing structure?

    • Answer: My pricing is based on the complexity and time required for each repair, considering factors such as the type of damage, the materials needed, and the level of expertise required. I provide detailed estimates before beginning any work.

17. How do you ensure the safety of the instrument during transport and storage?

    • Answer: I use appropriate cases and padding to protect instruments during transport. While in my workshop, instruments are stored securely in designated areas to prevent damage.

18. What are your preventative maintenance recommendations for bass viols?

    • Answer: Regular checks for cracks, loose parts, and tuning peg issues, along with appropriate humidity control, are crucial for maintaining the health of a bass viol.

19. What is your experience with fretwork on bass viols?

    • Answer: [Describe experience; if limited, be honest. If extensive, describe specific techniques and materials used.]

20. How do you handle repairs that involve the neck of the bass viol?

    • Answer: Neck repairs are complex. I carefully assess the damage and determine whether repair or replacement is necessary, taking into account the age and style of the instrument. I use traditional joinery techniques whenever possible.

21. How do you choose the right type of glue for different repairs?

    • Answer: The choice of glue depends on the type of wood, the type of repair, and the desired strength and reversibility. Hide glue is commonly used for traditional repairs; modern adhesives might be suitable for specific situations, but always with consideration for the historical integrity of the instrument.

22. Describe your experience with restoring the finish of a bass viol.

    • Answer: [Describe experience and processes, including materials used such as shellac, varnish, etc., and approaches to color matching.]

23. How do you deal with a client who is unhappy with a repair?

    • Answer: I listen carefully to their concerns, assess the issue, and strive to find a mutually agreeable solution. This may involve further work, adjustments, or a partial refund, depending on the situation.

24. What are your professional affiliations or certifications?

    • Answer: [List any relevant certifications, memberships in professional organizations, or apprenticeships completed.]

25. What are your long-term career goals as a bass viol repairer?

    • Answer: My long-term goals include continuing to refine my skills, specializing in a specific area of bass viol repair, perhaps teaching others, and contributing to the preservation of these important instruments.

26. What is your understanding of the different types of wood used in bass viol construction?

    • Answer: I understand the properties of various woods used, such as spruce for the top, maple for the back and sides, and ebony for the fingerboard. I know how these woods affect the sound and durability of the instrument.

27. How do you determine the age and origin of a bass viol?

    • Answer: I look at several factors including construction techniques, wood types, the style of the instrument, labels inside the instrument, and compare it to known examples from various periods.

28. What is your process for cleaning and maintaining a bass viol?

    • Answer: I use soft cloths and specialized cleaning solutions to remove dust and dirt. I avoid harsh chemicals and abrasive materials. I also recommend regular inspections and humidity control.

29. What are the common problems encountered with bass viol strings?

    • Answer: Common issues include string breakage, corrosion, loss of tension, and buzzing due to improper winding or wear.

30. How do you handle repairs that involve the bass viol's scroll?

    • Answer: Scroll repairs can be delicate. I assess the damage and carefully repair cracks or broken sections using appropriate wood and glue, paying attention to the scroll's shape and carving.

31. What is your understanding of the acoustic properties of a bass viol?

    • Answer: I understand how the wood, shape, and construction affect the instrument's resonance, projection, and overall tonal qualities.

32. How do you maintain your tools and equipment?

    • Answer: I keep my tools sharp, clean, and well-organized. I regularly maintain and replace worn-out parts to ensure they function properly.

33. Describe your experience with working on different types of bass viol finishes.

    • Answer: [Detail experience with various finishes, like oil varnish, spirit varnish, etc., and their properties.]

34. How do you deal with insect infestations in a bass viol?

    • Answer: I use appropriate methods to eliminate infestations while preserving the instrument, often consulting with specialists in conservation and pest control.

35. What is your experience with the use of digital imaging and 3D modeling in repair?

    • Answer: [Describe experience; if limited, state that you are open to learning new technologies.]

36. How do you ensure accurate intonation after a repair?

    • Answer: I use specialized tools to carefully adjust the bridge and soundpost to ensure proper intonation across the instrument's range.

37. How do you handle the ethical considerations of repairing historically significant instruments?

    • Answer: I prioritize minimal intervention, using reversible techniques and adhering to best practices in historical instrument restoration. I consult with experts when necessary.

38. What is your understanding of the different types of bass viol cases and their importance?

    • Answer: I understand the role of cases in protecting the instrument from damage and environmental factors. I know the differences between hard cases, soft cases, and their suitability for various situations.

39. Describe your experience with setting up a bass viol for optimal playability.

    • Answer: Setting up a bass viol involves adjusting the bridge height and position, soundpost, and string height to ensure optimal playing comfort and intonation.

40. What is your approach to dealing with warping in the top or back of a bass viol?

    • Answer: This requires careful assessment and may involve techniques like applying moisture, using clamps, and possibly creating small relief cuts to allow the wood to regain its shape.

41. What safety precautions do you take when working with woodworking tools?

    • Answer: I always wear appropriate safety gear including eye protection, hearing protection, and dust masks. I ensure my workspace is well-lit and organized to minimize accidents.

42. How do you handle the disposal of hazardous materials used in repairs?

    • Answer: I follow all local regulations for the safe disposal of hazardous waste, including solvents and glues.

43. What are your thoughts on the use of modern materials in the repair of historical instruments?

    • Answer: I believe in using modern materials sparingly and only when absolutely necessary, always prioritizing techniques that preserve the instrument's historical integrity.

44. How do you manage your time and prioritize tasks in a busy workshop?

    • Answer: I use a scheduling system to manage my workload and prioritize tasks based on urgency and client needs.

45. Are you comfortable working independently and as part of a team?

    • Answer: I am comfortable working independently and collaborating with others when necessary.

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